In this article I will look closely at just one song, Schubert’s Der Lindenbaum. Even by Schubert’s standards, this song is remarkable for the eloquence of its. Der Lindenbaum: vocal music: The 17th–20th centuries: the modified-strophic setting of “Der Lindenbaum” (“The Linden Tree”), from the cycle Winterreise. Winterreise (Winter Journey) is a song cycle for voice and piano by Franz Schubert a setting of . “Der Lindenbaum” (“The Linden Tree”): The tree, a reminder of happier days, seems to call him, promising rest. But he turns away, into the cold.
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Winterreise, D.911 (Schubert, Franz)
Du bist die Ruh D. Whereas the vocal line cannot have the proper descent because of the strophic quality, the piano can supply the proper descent because it summarizes what takes place in the vocal line.
Bei dem Grabe lnidenbaum Vaters D. This file is part of the Sibley Mirroring Project.
The composer inby Wilhelm Lindenbauk Riederoil painting after a watercolor. Stimme der Liebe D. An die Harmonie D. Song cycle by Franz Schubert. The Piano and Dark Keys: Wiersze ZebraneWydawnictwo a5, About Maury Yeston’s website.
The ending on the f-sharp, because it is the second scale degree and not schybert tonic, is a significant feature and creates tension that propels the music forward to the text and verse.
Finally he encounters a derelict street musician, the first and only linenbaum in the cycle in which another character is present. Die Post – Score and Parts Tpt. Nach einem Gewitter D. Schubert’s WerkeSerie XX: Here too, the focus rests on the a as the high point of this motion.
Der Lindenbaum: German Text, English Translation and Interpretation by Tomoko Yamamoto
Aus Diego Manazares D. The listener would expect the forthcoming strophe to begin on either the tonic or dominant as the preceding verses do. This is one of Schubert’s great contributions to Lieder. Vogl, a literary and philosophical man accomplished in the classics and the English language, came to regard Schubert’s schubdrt as “truly divine inspirations, the utterance of a musical clairvoyance.
Daphne am Bach D.
Der Blumen Schmerz D. Julius an Theone D.
The notes c, b-sharp, and b are used in this neighbour -tone motion. What might have forced the composer to confront and create the somber Winterreise? As the A section begins, the tonic is also emphasized, although in a different manner.
The only main difference is the last few measures. Langsam D minor also version in B minor Die Post. This creates an asymmetrical structure where there is only one verse left for the final A’ section which, in a modified strophic setting, should contain the same amount of music as the A section.
Berthas Lied in der Nacht D. The solo piano sections of ” Der Lindenbaum ” are integral to the piece, supplying the structure to the text and vocal line. Instead of leading to the f-sharp, as does the interrupted descent in the introduction, the motion continues to the tonic. The text of the first section is nostalgic and sets up the darkness of the second section. When this motivic theme appears in the voice in the second part of the A and A’ sections, it appears unaltered in comparison with the variations in the left hand.
Drang in die Ferne D. In Winterreise Schubert raises the importance of the pianist to a role equal to that of the singer. The a is sustained through a series of passing chords until the dominant seventh chord arrives in the left hand. Von der ‘Winterreise’ bis zum ‘Schwanengasang’,No. Der Knabe in der Wiege D.
Fragment aus dem Aeschylus D. Etwas geschwind A major Der Wegweiser.
Views Read Edit View history. Etwas langsam C minor Letzte Hoffnung.