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Latin American literature x. Skip to main content. Title La Busqueda de Mis Visceras: Show more My thesis is an experimental project that explores the connection between aesthetics and meaning-formation.
These forces are responsible for shaping the subject’s immediate experience, or being-alive-ness. Influenced by the group’s motivations and recent conceptualizations within the field of affect theory, the following project is an exercise in using poetry as a way to re-conceptualize the experience of being alive.
Discursive formulations are avoided in an attempt to create a text whose meaning derives from its affective connection with the reader, and not from the intricate economies of meaning that limit the affective scope of academic and scholarly language.
As a result, the following thesis upon first glance looks like the work of a mad man. Poems, citations, excerpts from books, pages from my personal diary are bundled together in a way macond challenges what is commonly understood as an academic thesis. However, its validity rests in the fact that it tries to engage with current work in the field of affect theory, experimenting with aesthetics and meaning-formation, and leaving aside the discursive formulations to engage with its reader at an affective, or visceral level.
Title El laberinto de la soledad de Octavio Paz y su aplicacion tematica en la novela chicana: Mexico, Spanish text, Rudolfo Anaya. It discusses the concept of Mexican solitude and the search for identity. In the introduction a biographical summary of Paz’s life and literary accomplishments illustrates the importance of historical events in the formation of his understanding of human solitude and alienation in e modern world.
As a surrealist he concludes that Mexican solitude is an expression of an inner conflict of opposing forces which can only be overcome through poetic inspiration and the discovery of one’s other self. The first chapter discusses the thematic content of Paz’s El laberinto de la soledad in terms of the Mexican’s character and behavioral patterns including dissimulation, denigration, and self-denial.
In his solitude the Mexican experiences a sense of alienation, inferiority, and a loss of qristoteles identity. In the second chapter an analysis of the main characters in Rudolfo Anaya’s Bless Me, Aristoreles and Heart of Aztlan reveals that solitude and the search for identity involve the spiritual reconciliation of forces which adversely affect the Chicano’s relationship with the land and the people of Aztlan. It involves the formation of an individual as well as a collective identity through self-awareness, love, spiritual harmony and a common sense of purpose.
The maconndo chapter discusses the thematic similarities and differences between the three literary works. The similarities include the idea of separation and the need to search for a positive, meaningful macohdo.
The chicano novel offers a practical solution aristooteles the identity problem through the resolution of conflict and the establishment of a collective identity based upon shared experience and common purpose.
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Title Dictatorship and Dissidence: A concise examination of the Cuban novel Antes que Anochezca by Reinaldo Arenas and the Haitian film L’Homme sur les Quais by Raoul Peck explores how the creators of the works reveal the transformational processes employed by dictatorships that eventually degrade nature, government, bureaucracy, Show more This thesis considers the collision of two entities in the modern Caribbean: A concise examination of the Cuban novel Antes que Anochezca by Reinaldo Arenas and the Haitian film L’Homme sur les Quais by Raoul Peck explores how the creators of the works reveal the transformational processes employed by dictatorships that eventually degrade nature, government, bureaucracy, interpersonal relationships, and eventually man himself.
This in analyzed within the framework of Marx’s notion of alienation, which is seen as a philosophical cousin to Freire’s notion of oppression. This all culminates with a metaphysical appreciation of the function of art as a means of reclaiming the voice of the individual and the nation as a whole in both the midst and the aftermath of ruthless, dehumanizing tyranny. Title Latin American testimonial narrative, a ‘new’ genre: Creator Roman-Lagunas, Victoria Ann.
Since that time, critics have attempted to establish a clear definition of that genre as well as a means of classifying works within it. John Beverley and Elsbieta Sklodowska provide the most complete attempts; each, for different reasons, however, tends to exclude works which are exemplary of this genre. Show more In Casa de las Americas announced the addition of testimonial literature to the list of categories for which a writer could receive the Premio Literario.
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Based on the genesis of the written text, three “narrative modes” have been aristtoeles The aritoteles factors between the testimonial novel and “pure” testimonial narrative are examined.
This “new” genre has been created in order to reflect the Latin American realities which are different from those found in countries which dominate both culturally and economically. Creator Braun, Diane Marie. The analyses include the historical and social circumstance arixtoteles women’s position in the society of the texts and their authors. The specific texts studied are the two poems “Hombre necios Show more This dissertation is a feminist literary study concentrating on silence and dream as textual strategies in selected works of three Latin American women writers.
The constructs of gender marginalize groups or individuals who may appropriate elements of hegemony in cultural institutions in order to counter, resist, or change the ideology. The writer macodo create textual strategies which allow them movement back and forth, from center to margin, in order to deconstruct and reconstruct gender as a means of resistance. What is unsayable in the “reality” of the text may be concretized within the unconscious in dreams.
The act of reading the text, the interior experience also exteriorizes it, thus, carrying the private into the public realm of culture. The reader’s response demonstrates the symbiotic relationship of ideology and culture and the aistoteles to effect individuals. By employing silence and dream as textual strategies the writer transforms women’s allotted position into a means of transgression.
These novels embody the fundamental themes of the human predicament in Ecuador: Several artistic techniques are analyzed, including: Show more The purpose of this study is to analyze Adalberto Ortiz’ Juyungo and Jorge Icaza’s Huasipungo in order to determine specific narrative devices used by the authors.
The first chapter aristotele a brief biographical background which establishes the bond that exists between each novelist and his novel. Chapter II concentrates on narrative techniques and themes.
Chapter III studies form and structure. The fourth embraces a synopsis and analysis of each novel’s major characters. The final chapter summarizes the similarities and differences of the novels being studied. Laguerre a traves de sus novelas. Antes de la exposicion del tema, se ha resumido brevemente la biografia del autor y se ha tratado de presentar el trasfondo historico tanto de la mujer puertorriquena, como de la literatura que antecede a estas obras.
Show more La investigacion estudia como tema central la imagen femenina segun la ve Enrique A. Se le presenta en su recorrido del campo al arrabal y del arrabal a Neuva York, siempre tratando de superar la miseria, el abandono, la nostalgia, la discriminacion y el fenomeno del “machismo”. Se percibe, sin embargo, un concepto de mujer tradicional, donde la figura de la mujer-madre ocupa el lugar mas destacado.
Se destaca, tambien, aspectos de la mujer que el autor quiere exaltar o satirizar: Ferre, and writers like Antonio S. Pedreira, Tomas Blanco, and Rene Marques, have discussed the subject. Generally, fatalistic and catastrophic views of the national identity problem have been adopted, especially by supporters of Puerto Rican independence. Jose Luis Gonzalez rejects Show more Since the s, the problem of national identity has become one of the most crucial issues in the Puerto Rican political and cultural arena.
Jose Luis Gonzalez rejects those views as product of a class ideology, that of the “creole bourgeoisie. Thus, “cultural producers,” like him, must strive to develop and to enrich Puerto Rican national mass consciousness by emphasizing the positive aspects and values of Puerto Rican identity or by criticizing the negative ones.
It also describes the evolution of his humanist views. Gonzalez’s essays and theoretical writings are analyzed first, since these express his views most directly. His fictional writings are also discussed. Finally, a critical conclusion assesses Gonzalez’s literary efforts. Creator Corwin, Jay A. While the major critics of the novel have noted a strong dependence thereof on Biblical intertextualities, the present study focuses on possible Indigenous sources of what has already been defined as cosmogonical.
In addition, several motifs which have been defined previously as “mythified” are examined and compared to Indigenous Colombian rituals. The work of explorer Alexander von Humboldt is also Show more This dissertation examines the origin of myth in Garcia Marquez’s novel, Cien anos de soledad.
The work of explorer Alexander von Humboldt is also addressed herein as applicable to the wider comprehension of the novel.
While this work is not necessarily an Indigenous source, the vast references to such cultures justify its inclusion in this study. Likewise, the Popol Vuh is examined as a potential source of myth within the novel.
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The main Colombian sources indicated in this study are as follows: Although the Guajiros are the only indigenous group specifically mentioned in the novel, the role of the Tairona and Chibcha were so potent in the framework of the chronicles that their inclusion in this work is inevitable.
The cosmogonies which particularly parallel the action of the novel are the Chibcha and Guajiro.
Religious rituals of the Chibcha and Guajiro are also examined here are possible antecedents of certain of the actions, the origins of which have as yet been unidentified. Meanwhile, the philosophical origins of the novel’s “death within death” motif are juxtaposed to documentation of certain Kogi beliefs, which bear striking similarities.
On account of the large number of nearly exact parallels between the novel and various Indigenous elements, the mythical content of the novel is viewed as intertextualized Indigenous, rather than Biblical, myth. Title Aristogeles poesia indigenista en cuatro poetas latinoamericanos: Spanish text ; Peru, Chile, Mexico. Show more This dissertation examines the Indianist poetry which constitutes part of the works of four Latin Spanish American poets: An attempt has been made to determine the causes aritoteles motivate these poets to raistoteles about Indians while looking for a possible pattern.
For this reason, it is the intention of this study to provide an introduction to the life and works of such a distinguished writer. The introductory chapter presents a biographical sketch of Arturo Uslar Pietri accompanied by a brief description of a number of his better known writings.
The bibliographical entries are divided into nine categories. The list includes only the compositions that were uncovered during the investigation. However, the entries that appear in this aristogeles include works of criticism on Arturo Uslar Pietri’s writings. It consists primarily of books and articles. The following novels are studied: Passion and instinctive love are predominant in his novels.
Show more In this dissertation love and death in the novels of Alejo Carpentier are analyzed. It is seen in many different ways, such as: